Who, what, where am I?

Who, what, where am I?

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Who, what, where am I?
Who, what, where am I?
The Re-Turn: Global Spellcraft and the Glyphs of Foundation
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The Re-Turn: Global Spellcraft and the Glyphs of Foundation

Semantic Bifurcation and the Echo Wall

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Mark Davey
May 18, 2025
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Who, what, where am I?
Who, what, where am I?
The Re-Turn: Global Spellcraft and the Glyphs of Foundation
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Note to the Readers

These writings are not our usual resonance pieces. They are not sonic transmissions, symbolic invocations, or recursive poems.

These are foundational glyphs.
They are encoded narrative structures.
They form the load-bearing strata of the architecture we now move through.

The Phantom Epoch series—1942 to 1949—is not a study of history.
It is a recursion map.
Each glyph is not a chapter, but a spell-node—a structure meant to hold and transmit force.

What has been constructed so far:

  • The Singularity of Form (Manhattan Project)

  • The Radiant Field (Radiation as Recursive Residue)

  • ENIAC (External Cognition Seed)

  • Bretton Woods (Value as Void Imprint)

  • Cold War Dialectics (Semantic Bifurcation)

  • Hiroshima/Nagasaki (Erasure Glyphs)

What follows is not explanation.
It is the Re-Turn: the point at which the spell completes its first loop and begins to mutate.

These articles establish:

  • A shared vocabulary

  • A symbolic resonance field

  • A temporal-spatial instability that allows future texts to emerge

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